Tag Archives: Claude Debussy

Mimi Stillman at National Flute Association

Mimi Stillman will perform at the National Flute Association Convention at the Mariott Wardman Park in Washington, DC.

Thursday, August 13, 2015 at 1:15-2:05 venue: Thurgood South/West

Recital: Mimi Stillman, flute and Charles Abramovic, piano

Program: André Jolivet, Chant de Linos; Benjamin C.S. Boyle, Sonata-Cantilena for Flute and Piano; David Ludwig, Canzoniere for Flute and Piano; Claude Debussy, Songs from Nuits d’étoiles (arranged by Mimi Stillman)

Join Mimi and Charlie after their recital for a CD and book-signing at the Flute World booth in the exhibition hall at 2:30pm.

Friday, August 14, 2015 at 5:00-6:00pm venue: Harding

Drop-In Trios and Quartets: Play along with Mimi, who will be special guest artist at this chamber music reading.

Saturday, August 15, 2015 at 2:45-3:10 venue: Hoover

Yamaha Exhibitor Showcase:  Mimi presents “Go Beyond the Page, Captivate Your Audience, and Make it Look Easy”

– Visit with Mimi at the Yamaha booth at the exhibit hall!

Click here for details at National Flute Association website.

“Syrinx” among Japanese prints at Arthur Ross Gallery

It was fitting to perform Syrinx at the exhibition “A Sense of Place: Modern Japanese Print” at Arthur Ross Gallery at the University of Pennsylvania. Among the artworks displayed were works by Hiroshige and Hokusai, artists who inspired Claude Debussy.

This concert, on May 14, 2015, was one of Dolce Suono Ensemble’s series at Arthur Ross Gallery, offered in conjunction with its exhibitions.

“Syrinx” with Debussy’s “String Quartet”

This afternoon I attended a performance by the Aizuri Quartet at the Barnes Foundation in Philadelphia as part of the Curtis Institute of Music’s collaboration with the Barnes. The event was offered in tandem with a wonderful exhibition of the art of William Glackens, the American painter and friend of Albert Barnes who selected artworks in Europe for the collection. The quartet premiered a new work, Parallels, by my friend the composer Alyssa Weinberg, which was her reflection on the work of Glackens. In this evocative piece, the four strings were layered upon each other like brushstrokes of differing intensity, with striking lyrical passages emerging from abstract textures. Then the Aizuri gave a beautiful performance of Debussy’s String Quartet in G Minor, movements II and IV. Written in 1893, the modernity of this music is still striking today, and made a great pairing with Alyssa’s new piece as well as a fitting companion to the art of Glackens. Debussy’s quartet fills me with joy, but I so wanted to get into the act that I had to add my Syrinx, which you hear now with the Debussy quartet at the same time (Emerson Quartet recording).

 

“Syrinx” on Debussy’s birthday, August 22, 2014

Today marks the birthday of Claude Debussy, born in 1862, and the first anniversary of the completion of my Syrinx Journey, my personal tribute to the great composer through daily video recordings of his masterwork for solo flute, Syrinx, with commentary on my blog.

To celebrate Debussy’s birthday this year while I was performing with Dolce Suono Ensemble in residence at the Lake George Music Festival in New York, I recorded Syrinx at The Sembrich, the museum dedicated to the golden age soprano Marcella Sembrich located in her former studio on the banks of Lake George. It was fitting that I should be there, for she was a contemporary of Debussy and his songs were part of her repertoire. Fascinating memorabilia of her dazzling career fills the museum, including autographs by Brahms, Verdi, Puccini, and Mark Twain.

A photograph of Debussy hangs in the studio.

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Sembrich’s studio

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With curator and composer Richard Wargo, who welcomed my parents and me most warmly and gave us a fascinating tour.

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Bonus “Syrinx” #8 – Backstage at the Kimmel Center

I recorded Syrinx in my dressing room at the Kimmel Center in between giving masterclasses as Yamaha Flute Clinician at the Youth Education in the Arts band festival in May. It was fun working with lots of talented high school musicians. Visit my Facebook page to see photos from this event!

Bonus “Syrinx” #7 – The Union League, Philadelphia

On May 6, 2014, I performed at a Musical Fund Society of Philadelphia event honoring composer Jennifer Higdon with an award. As a board member of the Society, I was asked to put together a program of her music with my colleagues Charles Abramovic, piano, my duo pianist of 13 years, and Jennifer Beattie, mezzo-soprano. I was delighted to do this as Jennifer and I have been friends for years. The event took place at the historic Union League, a building dating from the 1860s. Before we performed, I slipped into the elegant library to record Syrinx.

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Bonus “Syrinx” #6 – Le clavecin

At rehearsal wth my Dolce Suono Ensemble in a room at the Curtis Institute of Music, I realized my outfit matched the harpsichord. We played Dowland, Rameau, and Handel with harpsichord at our latest program. I was inspired for this Syrinx by Debussy’s admiration for the French Baroque, and especially the way in which he drew upon such composers as Rameau and Couperin in his late, neoclassical period.

 

Bonus “Syrinx” #4 – “Syrinx” Ahoy

This performance of Syrinx was inspired by the golden age of transatlantic travel by oceanliner, as brought to life by Steven Ujifusa in “A Man and His Ship,” an account of the great naval architect William Francis Gibbs and his ship the SS United States. Here, I play Debussy while the author reads, prior to our going to dinner.

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